Author Type

Graduate Student

Date of Award

2000

Document Type

Thesis

Publication Status

Version of Record

Submission Date

October 2026

Thesis/Dissertation Advisor [Chair]

Buckton, Oliver

Abstract

Despite the designation of Olive Schreiner's Lyndall in The Story of an African Farm as the first "New Woman" in literature, the nineteenth-century New Woman, with her high ideals and belief in an androgynous compromise of sex roles, is exemplified by Fanny Fern's heroine Ruth in the novel Ruth Hall. While Lyndall speaks of social injustice done to women, the limitations of her provincial setting preclude her protests from achieving the level of social activism; however, Ruth's protests, in the form of newspaper articles, do reach the level of social activism. Schreiner's androgynous ideal becomes lost in a role reversal rather than role dissolution, while Fern's Ruth achieves the metamorphosis from voiceless stereotype to empowered woman, breaking established gender conventions. Ruth, revealed to the literary world before Schreiner's Lyndall, is not only an earlier New Woman but also a stronger and more successful New Woman.

Extent

88 p.

Comments

Dorothy F. Schmidt College of Arts and Letters|FAU Electronic Theses and Dissertations Collection|Thesis (M.A.)--Florida Atlantic University, 2000.|Dorothy F. Schmidt College of Arts and Letters

Identifier

FADT15771

Format

pdf

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