Date of Award
1992
Document Type
Thesis
Publication Status
Version of Record
Submission Date
October 2026
Thesis/Dissertation Advisor [Chair]
McGuirk, Carol
Abstract
The war novels and propaganda of World War I infused Americans with a consciousness of trench warfare through images of degradation, discontinuity, and the irrelevance of human effort. Three modernist novels, The Day of the Locust (1933) by Nathanael West, As I Lay Dying (1930) by William Faulkner, and God's Little Acre (1934) by Erskine Caldwell, are infused with this same imagery. Though neither West, Faulkner, nor Caldwell participated in the war, their works symbolically echo the images of trench warfare, a development uniquely central to World War I. Although these novels do not mention war, the world of "The Great War" is their world. There has been much written on the symbolism in these three novels. No critic, however, associates the symbols with trench warfare. This thesis therefore relies on the historical and psychological research of World War I, which is then applied to the works of West, Faulkner, and Caldwell.
Extent
47 p.
Recommended Citation
McFather, Moira Kathleen, "Echoes of the western front: Images of trench warfare in the post-war fiction of West, Faulkner, and Caldwell" (1992). Electronic Theses and Dissertations 1990 - 1999. 291.
https://digitalcommons.fau.edu/etd_general_4/291
Identifier
FADT14854
Comments
Dorothy F. Schmidt College of Arts and Letters|FAU Electronic Theses and Dissertations Collection|Thesis (M.A.)--Florida Atlantic University, 1992.|Dorothy F. Schmidt College of Arts and Letters