Date of Award
2018
Document Type
Dissertation/Thesis
Submission Date
October 2026
Thesis/Dissertation Advisor [Chair]
Sourgen, Gavin
Abstract
British Romantic poets adapted the natural-philosophical idea of “organicism”, a framework that explained life as a formative, generative power that pervades all organisms and provides unity to the parts that make the whole, as a way to judge art. The uniquely Romantic idea of organicism was defined by Samuel Taylor Coleridge as “unity in multeity” (Theory of Life, 42), which was the aesthetic ideal many poets strove to meet. I will explore how certain works in the Romantic era exemplify various aspects of organic theory, specifically: The Sensitive Plant, by P. B. Shelley, describes a personified organic force; The Botanic Gardens, by Erasmus Darwin, demonstrates how natural philosophers came to view the organization of life as a network, rather than a taxonomic hierarchy; and the ode encapsulates the organic ideal of synthesis. Understanding organic theory helps us to understand the ideal that the Romantics aspired to meet.
Recommended Citation
Riso, Anna, "“THE POETIC GROUND OF PHYSIOLOGY”: AESTHETIC AND BIOLOGICAL UNITY IN BRITISH ROMANTIC POETRY" (2018). Harriet L Wilkes Honors College Theses 2010 - 2019. 372.
https://digitalcommons.fau.edu/etd_honors_2/372
Extent
39 p.
Identifier
FAUHT00044
Comments
Includes bibliography.