Author Type

Undergraduate Student

Date of Award

Fall 2025

Document Type

Thesis

Publication Status

Version of Record

Submission Date

March 2026

College Granting Degree

Harriet L. Wilkes Honors College

Thesis/Dissertation Advisor [Chair]

Michael Harrawood

Additional Committee Member 1

Mark Tunick

Additional Committee Member 2

Justin Perry

Abstract

In this paper I use a dialectical materialist conception of ideology to analyze how it functions through language in Franz Kafka’s story The Metamorphosis. Beginning with Hegel’s account of consciousness as constituted through contradiction and its material reorientation in Marx and Engels, this project situates ideology within the social relations that shape human life. I then employ Evald Ilyenkov’s conception of material generation and Valentin Volosinov’s semiotic theory, arguing that signs constitute the material medium through which ideological meaning is produced and through which consciousness learns to misrecognize its own conditions. Using this framework, I interpret Gregor Samsa’s transformation as an instance of alienation in which inherited ideological signs override the evidence of material reality, rendering both Gregor and his family unable to apprehend him as a human subject. Ultimately this thesis shows that ideology works by severing the dialectical relation between consciousness and the social world that situates it.

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