Date of Award
2019
Document Type
Thesis
Publication Status
Version of Record
Submission Date
October 2026
Thesis/Dissertation Advisor [Chair]
Robé, Christopher
Abstract
This study investigates the use of film and video as political tools for women to promote collectivity, raise consciousness, and incite both social and political change. Through textual analysis of seven experimental films and videos, from the years 1965-1975, it is apparent that women used techniques of reclamation of three major aspects of identity formation—namely, body, pleasure, and physical space—to individually take steps toward liberation, while adding to the social phenomenon of second-wave feminism. Through this analysis the following question is addressed: how, and why, did the female media makers of the women’s liberation movement and sexual revolution implement both film and video to challenge social constructions and ideas regarding femininity, domesticity, and sexuality? The textual analysis performed in relation to this research question is rooted in cultural materialism and takes historical, economic, and cultural factors into account.
Extent
103 p.
Recommended Citation
Herbert, Erin M., "The Women Behind the Camera: The Reclamation of Body, Pleasure, and Physical Space through Experimental Film and Video, 1965-1975" (2019). Electronic Theses and Dissertations 2010 - 2019. 2304.
https://digitalcommons.fau.edu/etd_general_6/2304
Identifier
FA00013376
Comments
Includes bibliography.|Thesis (M.A.)--Florida Atlantic University, 2019.|FAU Electronic Theses and Dissertations Collection|Includes bibliography.