Date of Award
2010
Document Type
Thesis
Publication Status
Version of Record
Submission Date
October 2026
Abstract
This thesis explores the ways that certain artists-including Joseph Conrad, Alan Moore, Richard Attenborough, and Francis Ford Coppola-break from their inherited traditions in order to speak from an alternative perspective to western discourse. Conventional narrative formulas prescribe that meaning will be revealed in a definitive end, but all of the texts discussed reveal other avenues through which it is discerned. In Heart of Darkness, the tension between two divergent narratives enables Conrad to speak beyond his social context and imperialist limitations to demonstrate that identity is socially constructed. In Watchmen, Moore breaks from comic convention to illustrate ways meaning may be ascertained despite the lack of plot ends. The third chapter explores the ways that Attenborough and Coppola subvert technical and plot conventions to resist static constitutions of identity endemic to Hollywood film. The several texts discussed subvert the Self/Other duality by suggesting alternatives to the western narrative model.
Extent
vi, 84 p.
Recommended Citation
Berzak, Adam., "power of subtext and the politics of closure" (2010). Electronic Theses and Dissertations 2010 - 2019. 156.
https://digitalcommons.fau.edu/etd_general_6/156
Identifier
FADT2683123
Comments
by Adam Berzak.|Thesis (M.A.)--Florida Atlantic University, 2010.|Includes bibliography.|Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.|by Adam Berzak.