Date of Award
2003
Document Type
Thesis
Publication Status
Version of Record
Submission Date
October 2026
Thesis/Dissertation Advisor [Chair]
Faraci, Mary
Abstract
Sylvia Plath's poetry pulses with imagery and sound; it excites, disturbs, and unnerves. When Plath writes "I," one rarely questions the authenticity of the speaker. One feels privy to certain aspects of the poet's life experience. Her father's death, her subsequent psychotherapy, and the dissolution of her marriage contribute directly to the often surreal affect of the poetry. Plath's unique voice emerges from the bubbling cauldron of repetitive grief issues, existential tendencies, and patriarchy to create a new order of post-modern poetry. The thesis attempts to lead readers to a better appreciation of that poetry by demonstrating that Plath did not desire death, but rather desired growth, in an understanding of her own mysterious existence. It is evident through textual analysis that she was writing to achieve liberation from a crippling grief, autonomy as a woman artist, and absolution from years of guilt, at the time of her suicide.
Extent
89 p.
Recommended Citation
Richards-Winkler, Michelle., "Sylvia Plath: The cauldron of mourning" (2003). Electronic Theses and Dissertations 2000 - 2009. 636.
https://digitalcommons.fau.edu/etd_general_5/636
Identifier
FADT13010
Comments
Dorothy F. Schmidt College of Arts and Letters|FAU Electronic Theses and Dissertations Collection|Thesis (M.A.)--Florida Atlantic University, 2003.|Dorothy F. Schmidt College of Arts and Letters