Author Type

Graduate Student

Date of Award

2001

Document Type

Thesis

Publication Status

Version of Record

Submission Date

October 2026

Thesis/Dissertation Advisor [Chair]

Budd, Michael N.

Abstract

In 1998 Saving Private Ryan and The Thin Red Line debuted in theatres and critics in the popular press were quick to discuss the revival of the World War Two film and to classify both films within this genre. Through an examination of genre, art cinema, the styles of the Steven Spielberg and Terrence Malick, and a close textual analysis of both films, this thesis argues that Saving Private Ryan, although updating generic conventions of violence through its opening segment, quickly turns traditional in its depiction of plot, character, masculinity, and nation. The Thin Red Line, however, combines conventions of the war film with elements of art cinema, producing a film that popular critics often labeled in an inadequate or incomplete manner, creating inappropriate generic expectations among viewers.

Extent

189 p.

Comments

Dorothy F. Schmidt College of Arts and Letters|FAU Electronic Theses and Dissertations Collection|Thesis (M.A.)--Florida Atlantic University, 2001.|Dorothy F. Schmidt College of Arts and Letters

Identifier

FADT12793

Format

pdf

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