Author Type

Graduate Student

Date of Award

2009

Document Type

Thesis

Publication Status

Version of Record

Submission Date

October 2026

Thesis/Dissertation Advisor [Chair]

Dorothy F. Schmidt College of Arts and Letters

Thesis/Dissertation Co-Chair

Department of Theatre and Dance

Abstract

Maori art forms are replete with symbolism entrenched in Maori cosmogony, as well as with political issues arising from the relationship of colonizer to colonized. This interdisciplinary project examined the core symbols, issues and stories present in Maori traditional and contemporary art and dance to determine the way in which the content present in these art forms acts as an active agent in the formation and perpetuation of Maori cultural identity in New Zealand. A secondary aim of the project was to examine the relationship of Maori to the greater Aotearoa/New Zealand culture thereby identifying common and contrasting themes and issues present within both cultures. Aotearoa/New Zealand is unique in that the indigenous society has equal rights with the British, now New Zealanders, who colonized them and, through the arts, Maori have gained tremendous ground in becoming a vital partner in the ongoing creation of New Zealand's cultural identity. One of the central issues that repeatedly appeared in all the art forms analyzed was the push and pull that exists for Maori struggling to retain a Maori identity and compete in the non-Maori world. Identity for Aotearoa/New Zealand Maori and Pakeha, or non-Maori, alike is created in response to, in conflict with, in tandem with, and in spite of their respective cultures, thus creating yet another aspect of push and pull dynamics in New Zealand.

Extent

xvi, 246 p.

Comments

by Cynthia Louise Zaitz.|Vita.|Thesis (Ph.D.)--Florida Atlantic University, 2009.|Includes bibliography.|Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.|by Cynthia Louise Zaitz.

Identifier

FADT210449

Format

pdf

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