Author Type

Graduate Student

Date of Award

2008

Document Type

Thesis

Publication Status

Version of Record

Submission Date

October 2026

Thesis/Dissertation Advisor [Chair]

Furman, Andrew

Abstract

A central paradox in modernism is its disdain for mass culture, despite mass culture 's undeniable presence in modernist literature. American authors writing during the early twentieth century tried to establish themselves as "highbrow" by leaving the U.S. and traveling to Europe. In doing so, they created a particular aesthetic characterized by depictions of the transportation that facilitated this travel. These depictions reveal modernism's dependence on mass culture, and more importantly, create a space in which modernist authors can negotiate what was once a choice between high or low culture, exile or tourist, and ultimately, modernism or mass culture. Analyzing the car and train scenes in F. Scott Fitzgerald's Tender is the Night and Ernest Hemingway's The Sun Also Rises reveals the hybrid spaces made available to these authors through transportation.

Extent

63 p.

Comments

Dorothy F. Schmidt College of Arts and Letters|Thesis (M.A.)--Florida Atlantic University, 2008.|FAU Electronic Theses and Dissertations Collection|Dorothy F. Schmidt College of Arts and Letters

Identifier

FA00000930

Format

pdf

Download

Share

COinS