Date of Award
2008
Document Type
Thesis
Publication Status
Version of Record
Submission Date
October 2026
Abstract
The Sephardic ballad collection contains ballads of varying themes, many of which have been forgotten in Spain, where they were originally sung by Jews, Christians, and Muslims. A popular theme within this genre is that of women committing adultery and transgressions which in many of the ballads is punishable by death. A brief history of the Sephardic Jews and their literary and oral tradition is included. An emphasis is placed on women's role in ballad tradition and the importance of transculturation and mimesis within the oral tradition, both significant to the survival of a tradition that has been continued for over five centuries, encompassing various regions around the world. The analysis focuses on two ballads in particular ; the "Celestine Romance", which shares a similar plot to La Celestina, written by Fernando de Rojas, and the ballad of "The Adulteress", a popular ballad within several traditions.
Extent
vii, 90 p.
Recommended Citation
Mazar, Inbal, "Imaganes de la mujer transgresora en la tradiciâon romancera" (2008). Electronic Theses and Dissertations 2000 - 2009. 1488.
https://digitalcommons.fau.edu/etd_general_5/1488
Identifier
FADT165944
Comments
by Inbal Mazar.|Abstract in English.|Signature page unsigned.|Thesis (M.A.)--Florida Atlantic University, 2008.|Includes bibliography.|Electronic reproduction. Boca Raton, Fla., 2008. Mode of access: World Wide Web.|by Inbal Mazar.