Author Type

Graduate Student

Date of Award

2007

Document Type

Thesis

Publication Status

Version of Record

Submission Date

October 2026

Thesis/Dissertation Advisor [Chair]

Cunningham, James E.

Abstract

Worship music has always existed in church liturgy. The early Roman Catholic Church reserved music for an exclusive group of composers and performers. In rebellion, the common people worshipped privately with prayers in their own vernacular, to secular tunes. Martin Luther's Reformation during the Renaissance solidified worship as a congregational experience and marked the beginning of the Protestant Church. As Europeans and Africans migrated to colonial America, two different streams of music culture developed with interplay between sacred and secular influences. These two streams converged in the 1970s at the point of Contemporary Christian Music (CCM), which imitated the music of pop culture in an effort to be culturally relevant and to evangelize unbelievers. The fundamental evangelical church uses CCM to worship and evangelize by adopting popular music styles and adapting them lyrically to reflect an acceptable spiritual viewpoint to the church and as a magnet to attract unbelievers.

Extent

117 p.

Comments

Dorothy F. Schmidt College of Arts and Letters|Thesis (M.A.)--Florida Atlantic University, 2007.|FAU Electronic Theses and Dissertations Collection|Dorothy F. Schmidt College of Arts and Letters

Identifier

FA00000957

Format

pdf

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