Author Type

Graduate Student

Date of Award

2006

Document Type

Thesis

Publication Status

Version of Record

Submission Date

October 2026

Thesis/Dissertation Advisor [Chair]

Blakemore, Steven

Abstract

Nathaniel Hawthorne's The Blithedale Romance has been criticized contemporaneously and subsequently by such figures as F. O. Matthiessen, Mark Van Doren, and Rudolph Von Abele for its lack of romanticism or realism, depending upon the critic. This thesis uses a semiotic approach to explore Hawthorne's deconstruction of his first-person narrator, Miles Coverdale, and the resulting confusion among critics regarding authorial control in what some call his "anti-romance." Coverdale, as a detached artist, is responsible for reality's misinterpretation and misrepresentation, somewhat lampooning Transcendentalism. The triadic relationship of object, sign, and interpretant modeled by Charles Sanders Peirce is discussed using Liszka, Sebeok, Eco, and others and is complimented by the Umwelt Theory of Jakob von Uexkull to explain Coverdale's faulty symbolism. Hawthorne's "The Custom House" is also used to indicate his concerns for artistic limitation and the loss of an individual in a static community as he later fictionalizes in Blithedale.

Extent

88 p.

Comments

Dorothy F. Schmidt College of Arts and Letters|FAU Electronic Theses and Dissertations Collection|Thesis (M.A.)--Florida Atlantic University, 2006.|Dorothy F. Schmidt College of Arts and Letters

Identifier

FADT13323

Format

pdf

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