Date of Award
1986
Document Type
Thesis
Publication Status
Version of Record
Submission Date
October 2026
Thesis/Dissertation Advisor [Chair]
Rice, Julian
Abstract
The individual's survival in a hostile, postmodern environment is a principal theme of Jerzy Kosinski's Cockpit. Tarden, the preeminent survivor in this landscape, equates survival with control. He achieves control, both of himself and others, by aggressive forms of psychological and physical manipulation. The final goal of this manipulation is the absolute subversion of death. As he ages, Tarde!} realizes that death can only be diverted, and· his strategies to a void the inevitable become more sophisticated. Initially a being of action, he finally seeks refuge in words, in confession. Yet his confession is a violent parallel to his life; as such it becomes another diversionary act. The reader, at whom the confession is directed, is the target of this will to control and its violence.
Extent
51 p.
Recommended Citation
CHILDRESS, RONALD., "SURVIVOR IN JERZY KOSINSKI'S "COCKPIT" (POSTMODERNISM)" (1986). Electronic Theses and Dissertations 1980 - 1989. 491.
https://digitalcommons.fau.edu/etd_general_3/491
Identifier
FADT14342
Comments
FAU Electronic Theses and Dissertations Collection|Thesis (M.A.)--Florida Atlantic University, 1986.|Dorothy F. Schmidt College of Arts and Letters|FAU Electronic Theses and Dissertations Collection