Author

Author Type

Graduate Student

Date of Award

1984

Document Type

Thesis

Publication Status

Version of Record

Submission Date

October 2026

Thesis/Dissertation Advisor [Chair]

Nathan, Norman

Abstract

John Lyly slowly progresses from a complimenting Court dramatist to being more like a conventional one. In his first four plays he uses structure and characterization to flatter Queen Elizabeth. Characters who are ignorant of their rulers' goodness unexpectedly discover it. By thus showing a good monarch, Lyly praises his Queen. In his last four dramas, however, Lyly de-emphasizes royal compliments. Instead, like typical playwrights of his day, he informs his audience as to how the plot will develop (surprise is abandoned); and he is concerned with presenting sinners: characters who are schemers, cozeners, or disobedient to authority. To show what is typical of the age, three plays, Friar Bacon and Friar Bungay, The Spanish Tragedy, and The Rare Triumphs of Love and Fortune, by Lyly's contemporaries will be examined.

Extent

64 p.

Comments

Dorothy F. Schmidt College of Arts and Letters|Thesis (M.A.)--Florida Atlantic University, 1984.|FAU Electronic Theses and Dissertations Collection|Dorothy F. Schmidt College of Arts and Letters

Identifier

FADT14214

Format

pdf

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