Date of Award
1977
Document Type
Thesis
Publication Status
Version of Record
Submission Date
October 2026
Thesis/Dissertation Advisor [Chair]
Coyle, William
Abstract
Lillian Hellman uses the Reconstructed South as an emblem of the social and personal evils which result from a society based on a system of unconscionable capitalism. In her plays The Little Foxes and Another Part of the Forest she traces the rise of industrialism in the emergence of the "New South." The erosion of the aristocratic ideal of the Old South is exemplified by the characters in The Autumn Garden and Toys in the Attic who lack the will to act and live obsessed with the past. In order to fully appreciate her Southern plays it is necessary to recognize the fact that they are a composite of Southern myth and history and the author's own instinctive feelings about her native region. To classify these aspects and to correlate them with historical facts enhances the under standing of these works by placing them within a cultural framework.
Extent
82 p.
Recommended Citation
COFER, AGNES J ORTIZ, "LILLIAN HELLMAN'S PORTRAYAL OF THE SOUTH" (1977). Electronic Theses and Dissertations 1970 - 1979. 559.
https://digitalcommons.fau.edu/etd_general_2/559
Identifier
FADT13891
Comments
Dorothy F. Schmidt College of Arts and Letters|Thesis (M.A.)--Florida Atlantic University, 1977.|FAU Electronic Theses and Dissertations Collection|Dorothy F. Schmidt College of Arts and Letters